Sexuality in Bollywood: Treatment of Homosexuals and Transvestites Part Two

Isha Koppikar and Amrita Arora "Girlfriend"

The mature stance which My Brother…Nikhil and Fashion occupied, starkly contrasts Girlfriend [2004]. This film shines the spotlight on lesbianism and has one of the leading ladies, Isha Koppikar, playing the role of a lesbian. The movie represents Koppikar as an insane, violent lesbian fueled by her jealousy towards the male who has suddenly whisked away the woman she lusts after, Amrita Arora. The ground of this movie is shaky. Koppikar’s reason for despising men is a result of her father’s physical abuse on her mother.

Even though Koppikar and Arora’s relationship is blatantly homosexual in nature, Arora seems totally unaware of this. During her explanation to her boyfriend, Aashish Chaudhary, Arora innocently explains that she is not considered a lesbian, because alcohol impaired her judgment the night she had intimate relations with Koppikar. Her boyfriend readily accepts this explanation as legitimate. As her aggression towards men soars, Koppikar becomes more mannish. She cuts her hair into a short boy cut, stereotypical to lesbians, and dresses more boyish. Her unstable mental balance and her attachment to Arora, causes her to attack and eventually try to kill Chaudhary. Girlfriend inaccurately illustrates lesbians as women possessing masculine traits in its unhinged plot. It makes no attempt to sensibly approach lesbianism, but just offers to entertainment to the audiences with a bizarre story-line. 

Abhishek Bachchan and John Abraham "Dostana"

Another entertainer of recent times, Dostana [2008], pokes fun at homosexuality by exaggerating the feminine qualities of gay men. This big budget film focuses on the two leading men, Abhishek Bachchan and John Abraham, who pretend to be gay to rent an rooms in an apartment with their mutual love interest, Priyanka Chopra. As straight men in the movie and real life, Bachchan and Abraham’s representation of homosexual males is over the top. Their girlish behavior in the scene where Bachchan and Abraham explain how they met has the ability to offend the gay community repeatedly.

Stereotypes are stressed with in this scene. When they meet, Bachchan is seen a flamboyant outfit topped with a rainbow scarf and Abraham is dressed with a see through shirt accessorized with a spiked collar. There are sailor outfits, flowers, and joyous skipping in the later moments of the scene. True gay characters also exist in this film, but these characters are extremely feminine as well. Tarun Mansukhani, the director of Dostana, says “ ‘If you scream from the rooftops in favour of gay issues, it will not work. Give it some time. Let us begin by having some fun with it.The time will come when the nation would open up and we'd see their true and sensitive representation in commercial cinema.’”.

Donno Y Na Jaane Kyun

By experimenting with homosexuality and humor in his film, Manusukhani is softening the Indian audiences to the representation of homosexuality in Bollywood film. In the future, this could give other filmmakers a chance to explore homosexuality as a central plot, perhaps more thoughtfully, like My Brother…Nikhil. Nevertheless, the fact a mainstream, blockbuster movie possesses principal, seemingly gay characters is confirmation that India is becoming more receptive of movies that represent different sexual orientations.

Read Part One Here: Sexuality in Bollywood: Treatment of Homosexuals and Transvestites Part One

Madras Cafe: Music Review

Music Director: Shantanu Moitra

Starring: John Abraham & Nargis Fakri 

Since Madras Cafe is set in the backdrop of the Sri Lankan Civil War of 1990, we expect the music to be serious in nature, but for it to have no heavy romantic element is shocking. The director, Shoojit Sircar, has some real intentions of making this a hard hitting movie, which is why half of  Madras Cafe' songs are instrumentals..

Papon begins Madras Cafe with the mellow number Sun Le Re. His raw vocals are perfect for the soundtrack and subtle enough for the background instrumentals. This song is highly spiritual in nature, and slightly Sufi-like, as Papon reaches out to god to listen to him.  3/5

Ajnabi is sung by Zeb, of Pakistani's famous woman duo Zeb and Haniya. Like the prior song, this one is fresh with fresh emotions, but a tad more mellow, almost like the unplugged version of a song. The flute like instrumentals are a pleasant surprise, along with Zeb's "Da Da Na Na". This song is very unique, and not like any other song made in recent times. Excellent.  5/5

Papon is featured yet again in Madras Cafe in the song Khud Se. With a steady piano menu, Papon's voice reflects off itself like a mirror, similar to a self-duet. Khud Se keeps with the theme of the other songs, but is a little more rich in melody. He hits high notes, as the melody climbs higher and higher. 3.5/5

Sun Le Re (Reprise) is another take on the previous version. The reprise is not at all as subtle as the first time. The instrumentals are hard rock, complete with drums and guitar, exactly the polar opposite of the original. The soundtrack needed something this gritty to bring it back to life. Better than the first version. 3.5/5

After these four, there comes a string of instrumentals. The first one is Madras Cafe Theme. Its a lingering doom instrumental. The sound of ominous danger creeps through at first, but towards the middle it gets a little faster, bringing in angry flute and violin instrumentals.

Conspiracy features the singer Monali Thakur, but she doesn't really sing. Her voice echoes in the background of this song that sounds similar to the theme before it.

Entry to Jafna follows with theme, staying constant with the stringent tones from Madras Cafe's other instrumentals for its minute duration.

The Title Theme, has the to be the best instrumental  in the soundtrack bearing the worst name. This one has the highest quality instrumentals and is actually listenable. Compared to the hostility the other instrumentals have, this one grows more tense as the song goes on, until the instrumentals sound as if they have been broken.

In the end, Madras Cafe is filled with just a little too many instrumental theme music, and doesn't shine enough light on the vocalists. This soundtrack doesn't boast too much, but its good songs are of the highest quality.

My Picks: Ajnabi, Khud Se, Sun Le Re (Reprise)

What do you think?!

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